Trailer machinima from the original Guido Crepax 'Riflesso' Graphic Novel, published in 1984.
Screenplay adaptation by Caterina Crepax, Voice of Nicoletta Mandelli. Director and Machinimist Luca Lisci.
First presented live in Museo della Triennale , Milano and Rome's ARA PACIS auditorium in summer 2009.
Save the date for the extended version live in Rome, EUR Palazzo dei Congressi for Digital Café event December 8 2009. Continue
Added by Marta Lanzius on November 20, 2009 at 5:19pm —
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I challenged myself to make Photographs in SL like so many do and I wanted to make something a bit different then normal. After making the hyperformalistic sculptures for Faces of the Sky, Hyperform Chaos and the latest Hyperform exhibition at Pirats I placed my avatar inside the sculptures I made, let her fly and float and dance and photographed her. Then In Photoshop I reworked and changed the Photographes, braught them back in SL and made sculptures with the textures. But I wanted a exhibitio… Continue
Well, I am sure that term papers must not be a new thing for you so you already know how painful and irritating it is to write a Term Papers and most importantly submit the term paper right on time. Therefore you had better to learn the process of term papers writing rather than worrying. This article is about tips on Term papers writing.
10 Tips on Writing a Term Paper
There are seven significant tips on writing… Continue
Added by tipsgirl on November 18, 2009 at 11:40am —
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Ieri sera, 10 novembre 2009, abbiamo vissuto un momento di grande intensità, grazie all'abbinamento di due eventi:
1) la presentazione da parte di Informatici Senza Frontiere del progetto Open Hospital
2) la partecipazione alla Virtual Opera Metropolis, rappresentata proprio per l'occasione.
Entramb… Continue
A big thank you goes to the METROPOLIS performer group for their fantastic work: Debbie Trilling, Josina Burgess, Efrantirise Morane, Milla Milla Noel.
Special thanks to Debbie Tilling for the METROPOLIS machinima project.
Thanks go to Caravaggio Bonetto for the special architectural experiment (TU WIEN): EMOTICON 4.
A big thank you to junivers Stockholm for the gigantomagnetic EMOTICON soundtrack.
Many thanks goes to Josina Burgess for the beautiful costumes and choreography
and to Millamilla… Continue
Added by Velazquez Bonetto on October 31, 2009 at 8:10pm —
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Yesterday night I was unfortunately too late for the photoexpo from Tim Deschanel in the camera obscura series in CARP but when I went there I found a furious Luce Laval screaming there. The Italian artist could almost not control her anger because owner of CARP, Velazques Bonetto, stole her idea from toiletpaper. She claimed that she did toiletworks already long ago in an ARENA installation. ” The shit I make is much better then this shit from Vela” Luce cried out loud, “why can’t he invent his… Continue
Here is a picture of 'Virtually Live' island on the Open Life Grid.
The RAW file was made by Adec Alexandria.
The island will be the centre for many live events on the Open Life Grid and belongs to the 'Virtually Live Events' organisation - a cross-world project dedicated to bringing real music to different virtual worlds.
… Continue
Added by Debbie Trilling on October 13, 2009 at 11:30pm —
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The 'Wicker Man' installation has put back my plans for the 'Particle Garden 2009'. I was hoping to have it ready for my rez-day on the 16th but that looks unlikely now. I am hopeful to be ready for the first week in November.
Then we will immediately steam full-on into 'The Wall V-3' rebuild, with the expectation that performances and filming can be started in December.
Am so looking forward to it!
Here is… Continue
Added by Debbie Trilling on October 13, 2009 at 11:09pm —
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In the Second Life machinima "Prometheus", the Greek legend is retold in bold imagery and blood-soaked symbolism, as if the story of the man who defied the gods had become a Dali-esque fever dream. Created by Luca Lisci, an Italian artist who is known in Second Life as Vive Voom, it's a glorious visual feast you should best watch in a darkened room with the lights turned low: