Virtual Cinetic & Cybernetic Art in the Second Life Metaverse Infrastructure
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Velazquez Bonetto
57, Male
Stuttgart
Germany - Share
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Velazquez Bonetto's discussions
Welcome! Vela
Profile Information
- Name:
- Velazquez Bonetto
- About Me:
- My artistic activity is an integrated part of a wider carrier. It is nourished by more than thirty years of professional experience gathered in such different fields as industrial design, computer graphics, virtual reality and ergonomics. It has multiple influences on my art. Firstly, owing to years in software production I have developed several new techniques that can be roughly classified as mixed media. On the other hand, industrial scenes, structures and objects have become substantial parts of my artistic language. My industrial experience has helped me to a deeper insight into the entangled economic and political connections that are the propelling forces of our world. I've got a vivid picture of the looming problems that may lead us toward a sinister future. It is my main concern as an artist to call the public attention to questions where further thinking and searching for solutions is needed
The message of an artwork comes on several channels and addresses both the emotional and the rational side of the viewer. Every work may have many different interpretations. There is nothing more boring than explanations at how it should be understood and nothing more exciting and thrilling than a simple and clear artistic language that can talk in a a second of visual delight about human questions of huge magnitude. My works are all reflections of such moments that have forced me to think and to talk in my own language. I have achieved my goal if my paintings and drawings have launched a chain of thoughts in the viewer's mind.
- Website:
- http://www.gallery-diabolus.com
Velazquez Bonetto's Photos
Velazquez Bonetto's Videos
Velazquez Bonetto's Blog
The CHANGE lyrics
Posted on December 2, 2008 at 10:56am —
SL Festival of Human Rights
Posted on December 2, 2008 at 10:30am —
The CHANGE - the future vision opera -
Posted on September 18, 2008 at 2:41pm — 1 Comment
The Metropolis story
Posted on September 18, 2008 at 2:14pm — 1 Comment
RINASCIMENTO VIRTUALE
Posted on September 11, 2008 at 10:00am — 1 Comment
Saying Thank You and CARP 6 Program
Posted on September 10, 2008 at 9:00am — 1 Comment
The Rings or Homo Sapiens V2: Virtual reality rock opera grown from new forms of international artistic collaboration
Posted on August 1, 2008 at 3:59pm — 1 Comment
carp 5 e-book URL
Posted on July 23, 2008 at 4:28pm —
functionalism -> hyperfunctionalism
Posted on June 25, 2008 at 10:35am —
formalism->hyperformalism
Posted on June 25, 2008 at 10:34am — 2 Comments
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JooZz
ahhh, finally home, chaos sounds just like my cup of tea :-)
One thing I have been having issues with here tho.. I took a load of photos while I was there and I was looking for a flickr import tool for this ning. I know it is in admin options somewhere as I have it in my Ning community.
The photos are http://www.flickr.com/photos/talia_tokugawa/2804868326/ in that set if you wanted to take a look..
Thank you for the welcome.You have a nice weekend.
Best wishes,
Doris
functionalism (FFF)
Form follows function is a principle associated with modern architecture and industrial design in the 20th Century, which states that the shape of a building or object should be predicated by or based upon its intended function or purpose.
The functional architecture and design is the negation of purely aesthetic design principles behind the form determined use of a building or a device. Hence the famous phrase "form follows function" by Louis Sullivan of the popular opinion arose, a beauty in contemporary architecture and design is apparent already from their functionality.
The beginnings of this view to the rich aesthetic theorists of the 19th Century (Lotze, Semper, Greenough), in Germany but only with the founding of the German Werkbund under the slogans practicality and purpose form in the rank of an artistic design of serious collected.
The functionalism gained after the First World War and after the interlude of Expressionism, the term new construction, Bauhaus style, or New Objectivity as a design principle more attention again.
To really universally building was the epitome of modern functionalism in Germany but only after the Second World War and has thus the architectural language of reconstruction far. Since the beginning of the 1970s gets the formal poverty and the functionalist planning increasingly in the field of public criticism, which is why the so-called post-modernism in the 1980s functionalism finally completely new design principles tried.
"It is the pervading law of all things organic and inorganic,
Of all things physical and metaphysical,
Of all things human and all things super-human,
Of all true manifestations of the head,
Of the heart, of the soul,
That the life is recognizable in its expression,
That form ever follows function. This is the law.”
Henri Labrouste (* 11. Mai 1801 in Paris; † 26. Juni 1875 in Fontainebleau)
Louis Henri Sullivan (* 3. September 1856 Boston; † 14. April 1924 Chicago)
„The tall office building artistically considered“, 1896
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What is hyperfunctionalism
Hyperfunctionalism define and implement the different aspects of the requested behavior of a generic system in a hypermedia* or metaverse environment. (it is not relevant that the generated virtual construct named art or science or any conventional historical category of the human abstraction) The requested behavior and set of functions derived from the given environment where the system successfully survive. The definition typically describes what is needed by the system user (design-goal), which internal functions are necessary, as well as, requested properties of inputs and outputs.
Example:
In a real environment with gravitation, the material, structural or static properties has primary meaning. Dont survive a system if the functions are not successfully implemented.
In a symulated generative environment where gravitation is not, or particular interpret, the material, structural or static properties has absolutely no significance. If these properties are still represented, we are talking about imitation. But the imitative representation of a system also has meaning when used as a transfer medium for learning and training.
There are functions in different environments are identical.
An artwork with communicative functions can survive (real or virtual) if binds the human attention, and realise a long time storage of the MEM-s in the central neuronal system (attention is one of the limited cognitive resources of the human brain)
hyperform follows hyperfunction
"It is the pervading law of all things
organic, inorganic or generic,
Of all things physical, metaphysical or virtual,
Of all things human and all things avatar,
Of all true manifestations of the intellect,
Of the heart, of the soul,
That the life is recognizable in its expression,
That form ever follows function.
This is the law in the real world.
That hyperform ever follows hyperfunction.
This is the law in the metaverse.”
Henri Labrouste (* 11. Mai 1801 in Paris; † 26. Juni 1875 in Fontainebleau)
Louis Henri Sullivan (* 3. September 1856 Boston; † 14. April 1924 Chicago)
hyperfunctional extensions by Velazquez Bonetto
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*Hypermedia
The prefix hyper- ("over" or "beyond") signifies the overcoming of the old linear constraints of written text. The term "hypertext" is often used where the term hypermedia might seem appropriate. Hypermedia is a term first used in a 1965 article by Ted Nelson.[1] It is used as a logical extension of the term hypertext, in which graphics, audio, video, plain text and hyperlinks intertwine to create a generally non-linear medium of information. This contrasts with the broader term multimedia, which may be used to describe non-interactive linear presentations as well as hypermedia. Hypermedia should not be confused with hypergraphics or super-writing which is not a related subject. The World Wide Web is a classic example of hypermedia, whereas a non-interactive cinema presentation is an example of standard multimedia due to the absence of hyperlinks.
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